News

Last Thursday night was the opening of the I-95 Triennial at the University of Maine Museum of Art, in which I had two pieces. Here is a link to the show and to the review in Yankee Magazine.

Just two weeks away from completing my second semester in grad school. The students ahead of me are currently displaying their thesis work at the 808 Gallery on Commonwealth Avenue, Boston.

Taped Landscapes

Over the past few weeks, I have been painting the lines of my weaving on my canvases. Juxtaposed to the organic tree shapes, the stripes add an architectural quality to my recent work. I will be showing the following paintings in my final critique on April 26th.








By reusing the tape from my painted canvases, I am working on creating new linear compositions.

Spring Work

Below are my most recent painting and print images. In the following two paintings, I have include shapes from my weaving practice. I would like these new painted stripes to begin a dialogue of the feminine and domestic within my paintings.




This large 12' x 4' print is a response to using a specific framework to create. In the piece below I carved blocks from cardboard and printed these images in sequence to the song "You Ain't Nothing but a Hound Dog" by Elvis Presley. My imagery and color were directed by my reaction to each line consecutively within the song. I have been thinking about words, color and image and how the three relate.

Detail

Our book project is underway and I have begun the first stages of printing. Each student in my program has been assigned a BU graduate poet to work with in collaboration on making an edition of 3 hand made books. The images below this wall of prints are practice images printed from wood blocks. I am experimenting with color, optical overlays and transparencies.

Tree Paintings and Weavings

I have continued work on the tree paintings from my last post. Below are two images, each with a detail corresponding. I am thinking about abstracting the landscape through sculpting space with shape, line and tone. Color juxtapositions, overlapping and transparencies are also becoming important in my painting.





Here are three paintings in progress. I have started to paint with washes by using more medium in my oil paint.




Weaving continues to infuse my painting practice. The weaving below hangs on my studio wall at 8'x10'.


Here are two details of my large weaving, followed by a two oil studies on canvas board.

Tree Shapes

To begin this spring semester, I completed 20 drawings of tree shapes growing near my parents' cabin in Wyman Township, Maine. These new works have inspired the series of paintings pictured here, where I have used a limited pallet and washed the canvas with a buttercup ground.



In the new work, I continue to think about the interplay of positive and negative shape. Similar to the shadows which crept across my paintings last semester, my tree paintings are a response to luminosity, patterning and the push and pull of light and dark.






Paintings are 3' x 3' .

I spent November and December of last semester painting these four paintings. They are large for me, sized at roughly 5x6 1/2 '. In these pieces I am thinking about shadow, color and light. The shape of negative and positive space and how the two form each other.





While painting the large canvases, I continued to work with weaving and collage to assist me in finding light patterns and rhythms.


The weaving below is painted paper that has been cut and woven back together, reflecting images from the following window studies.



Below are the individual window studies from my last entry. Posted in consecutive order.